Live chat with Jenny Fulle
Variety tech guru David Cohen chats with Jenny Fulle, visual effects producer and founder of the Creative Cartel.
Exclusive Interview With PRIEST Visual Effects Producer Jenny Fulle!
If you have been following my coverage of PRIEST from the beginning, then I think you know that I am looking forward to its release a great deal. I have to say that the visual effects professionals working on this production are some of the best in the industry, and top of mind here is Visual Effects Producer Jenny Fulle. More on PRIEST in a moment.
Post-Apocalyptic VFX—Behind the Scenes of Priest
Blind vampires with super speed. Jedi-like super warriors called Priests who can slow down time with prayer. Fights on top of a moving train. With all this action, Priest, out May 13, presented huge challenges for its visual effects specialists.
A New Paradigm for Priest
By all accounts, Priest, the new vampire/western from director Scott Stewart, proved to be a great test case for handling the under $100 million vfx-intensive film. With the help of Jenny Fulle's new Creative Cartel serving as the vfx hub, they were able to effectively manage 750 shots, split between a dozen facilities, including Tippett, Svengali, The Senate, Spin, Zoic, Spy Post, Gradient and Iloura.